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Festival/Film

16. Lublin Film Festival

The 16th Lublin Film Festival begins on November 18th, 2022 and will last until November 26th.

We won’t boast about the numbers, though we have never had so many films in our programme
before. We won’t use worn out phrases such as “the best”, “the newest” and other similar
exaggerations. We won’t compete with anyone. The cinema is our window on the world, a means
to grasp reality from different perspectives and an opportunity to meet other people and
understand them better. We did our absolutely best to provide the programme that evokes
emotions, meditation and entertainment and we cannot wait to meet you. The theme of this year’s
festival is freedom. It is a frequently used term, especially recently. And even if everybody uses it, it’s difficult to come up with a definition that most people would agree with. Despite that we are eager to try and we strongly believe that a fine cinema connects people, not divides. We are looking forward to interesting discussions about freedom, both official ones in the screening rooms and less formal ones – in the festival club.

For nine days the Centre for Culture in Lublin will literally live with the cinema. Each and every day you can expect interesting movies to watch. Artists from various parts of Poland and Europe will come to Lublin, not to walk on the red carpet (because we don’t have one anyway), but to meet you and talk about a lot more than their films. Do you enjoy short films? That’s great because we have selected a lot of captivating productions
from all over the world for you – acting, documentary, animated and experimental films. Among
them you will find both award-winning titles, such as „The Last Day of Patriarchy” dir. Olmo
Omerzu, „The Hangman at Home” dir. Michelle and Uri Kranot or „Sincerity” dir. Adam Porębowicz;
as well as those not shown in Poland by far e.g. „Family Portrait” dir. Hyun Kim, „Facing the
Screen” Semih Korhan Güner and „Choulequec” dir. Benoit Blanc and Matthias Girbig. All of them
were solicitously compiled in the cycles of “Focus” screenings and thematic shows that will let you see the major themes and motifs in short cinema. If you don’t strive to watch the newest
productions, the animation retrospectives arranged by Piotr Kardas might come as a real treat for
you. He will present the rich history of the Animated Film Studio in Bielsko-Biała, which celebrates its 75th anniversary this year.

  • Kadr z filmu. Czterech mężczyzn stojących obok siebie na zewnątrz. Ubrani w kurtki, kożuchy i płaszcze, w czapkach uszankach. Ich odzież i fryzury pochodzą z lat 80. XX wieku
  • Kadr z filmu. Większość kadru wypełnia niebo podczas zachodu słońca. Na jego tle stoją dwie postaci ubrane na biało i w zgeometryzowanych maskach pand na głowach.
  • Kadr z filmu. Ujęcie spod wody. Na pierwszym planie głowa nurkującej dziewczynki w czepku i goglach pływackich, w tle zdeformowany obraz postaci stojącej nad powierzchnią wody
  • Kadr z filmu animowanego. Starszy mężczyzna siedzi i opiera czoło o dłoń, a obok niego stoi android ze świecącym, błękitnym okiem.
  • Kadr z filmu. Dwie młode kobiety siedzą na krzesłach pod ścianą w pomieszczeniu wyłożonym boazerią. Między nimi stoi i wolne krzesło,. Kobiety patrzą na siebie. Na ścianie wiszą dwa plakaty – z twarzą niemowlaka i z węgierską flagą ułożoną z puzzli. Na obydwu plakatach są napisy po węgiersku.

And if you prefer feature films, we’ve got something for you as well. The Focus: Feature Films
competition opens with the famed Ukrainian production “Mother of Apostles”, dir. Zaza Buadze.
The Portuguese “Infinite Sea” dir. Carlos Amaral and the Spanish “Lucas” dir. Alex Montoya will
also compete for the prize. Italy will be represented by “The Den” dir. Beatrice Baldacci, and the Czech Republic, by the outstanding debut of Adam Koloman Rybanský, “Somewhere Over the Chemtrails”. There will also be some Polish accents. Xawery Żuławski returns to the Festival with
his “Apokawixa”. And we will have the opportunity to see also two loud debuts: “The Christening”
by Jakub Skoczeń and “Elephant” by Kamil Krawczycki. In the Film Lubliners cycle we will show
Joanna Satanowska’s “The God of Internet”, in which Adam Organista played the main role. Piotr
Kotowski has prepared a retrospective of films by Jerzy Kawalerowicz, who would celebrate his
100th birthday this year. Families are invited to the screening of “Copernicus’ Star” dir. Zdzisław Kudła and Andrzej Orzechowski, and slightly older fans of animation to “Kill it and leave this town” dir. Mariusz Wilczyński, who comes to Lublin to decide, along with Hubert Pusk and Magdalena Wleklik, who will be the winner of the Golden Anteaters statuettes this year.
And that’s not all. The program includes Polish-Ukrainian dubbing workshops led by Przemysław
Młyńczyk and Mariana Jankewycz, online screenplay writing workshops with Magda Wleklik, animation workshops for children with Monika Kuczyniecka and workshops for whole families with Justyna Czarnota. As part of Lublin Media Meetings, there will be four meetings devoted to city placement, cultural tourism, youth activity in the field of film culture animation and narratives of the future. It will be an opportunity to get to know the VR experience of “Deep Dive” dir. Miłosz Hermanowicz and see the power of the holographic screen with your own eyes. During their
performance, Impro Teatr Bezczelny will make us laugh while trying to improvise the ending of the
film, which will be stopped unexpectedly. We couldn’t do without the traditional bullet point in our agenda, which is Pub Quiz in our festival club.

  • Kadr z czarno-białego filmu. Grupa religijnych Żydów stoi przed budynkiem. Wszyscy mają głowy nakryte tałesami – białymi chustami, a stojący na ich czele trzyma Torę w ozdobnym, haftowanym pokrowcu i z koroną.
  • Kadr z filmu animowanego. Na tle niebieskiego miasta stoi mężczyzna w okularach, z brązowymi włosami i brodą i smutną miną. Otacza go kilkadziesiąt rąk wyciągniętych zza krawędzi kadry w jego stronę. Ręce są o różnych kolorach skóry i w różnych ubraniach, każda dłoń trzyma smartfon z białym ekranem i zielonym serduszkiem.
  • Kadr z filmu. Młoda dziewczyna w błękitnym stroju kąpielowym, stoi na tle morza, tak, że widzimy jej górną część pleców, ramiona i głowę, którą ma obróconą – ogląda się przez ramię za siebie.
  • Zdjęcie. Trzy młode dziewczyny we wnętrzu. Jedna klęczy na podłodze, druga trzyma przed nią klaps filmowy, trzecia stoi przed obydwoma z aparatem fotograficznym w rękach.
  • Kadr z filmu. Duża, betonowa konstrukcja w kształcie grzyba z płaskim kapeluszem, widziana od dołu. Na jego wierzch prowadzą spiralne, białe schody, po których wchodzi postać w skafandrze kosmonauty. W tle odległe palmy, błękitne niebo z gwiazdami i wielkim księżycem

And at last, we have prepared something very special. Right after the announcement of the Jury’s verdict and our awards winners at the Non- Gala, there will be a performance focused on freedom by Mariusz Wilczyński and Czuła Obserwacja. We have constructed the Lublin Film Festival in such a way as to give you the opportunity to get to know and try different things. You can come alone, take your friends with you or even the entire family. You can choose between shorts, feature films or whole different screenings each day. You’re the ones to choose what is the most interesting thing for you to experience at the Festival.

We are waiting for you here in Lublin!

The 16th Lublin Film Festival will be held on November 18-26th, 2022 at the Centre for Culture in
Lublin.
The full programme with event descriptions available at: https://lff.lublin.pl/.

The 16th Lublin Film Festival was co-financed by the Minister of Culture and National Heritage
from the Culture Promotion Fund.

Akceptuje postanowienia regulaminu.

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