Nancy Stokes (Emma Thompson), a retired teacher and a widow, had only one sexual partner all her life – her husband.
Closed in the world of insecurities and hidden desires, she decides to experience an adventure with a young, handsome sex worker Leo Grande (Daryl McCormack). In a hotel room outside the city, Nancy meets Leo, who turns out to be a perfect seducer, with a charming appearance and unusual erudition. In these unusual circumstances, Nancy unexpectedly learns a lesson in accepting her own body and in the bliss that can come
from it.
Directed by: Sophie Hyde
cast: Emma Thompson, Daryl McCormack, Isabella Laughland
drama / Great Britan / 2022
Duration 137 min
hosted by: Monika Kopiec
Benshi is a series of film meetings of cinema fans with a flair for discussion. If you love cinema – join us. Look for inspiration. Inspire.
Series: Caution, Lust!
After August emotions related to fear, in September we will visit much more pleasant places. For years, cinema has been fascinated by human sexuality. However, the censorship was vigilant and it was impossible to show physical love in the frame for a long time. In the United States, the Hayes Code guarded the morality of the public. Films that did not submit to its censorship could be banned from showing in cinemas. It was so ruthless that it was even forbidden for kiss scenes to last longer than 3 seconds. It is even more worth mentioning the cunning of Alfred Hitchock in the 1946 film “The Familiar”, where he showed a 3-minute kiss scene, but thanks to appropriate editing cuts and interjected dialogues, he did not break the rules of the code. Meanwhile, in Europe, censorship was not so strict. The first “bed scene” happened in 1933 in a Czechoslovak film directed by Gustav Machaty, entitled “Ecstasy”. Later, other taboos on this subject were broken by prominent artists such as Roger Vadim, Ingmar Bergman, Michelangelo Antonioni, Roman Polański and Bernardo Bertolucci. Today moral censorship practically does not exist. Recently, sexual films have been appearing more and more often in cinemas. This is evidenced by our September titles, the oldest of which is 3 years ago. Of course, only adults are invited to the screenings.
Project co-financed by the Polish Film Institute.
We would like to remind you that the CK Cinema has the slogan “Cinema, not popcorn”, which means that we focus on screenings without advertising. Hours of screenings in our cinema are tantamount to the start of the film screening. Please arrive on time. According to the regulations, latecomers will not be admitted to screenings.
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