In the series “Post”, which is the context for later works, she takes up the subject of trauma and the influence of border experiences on the formation of personality and the action of memory. The key here is the selection of photography as the medium most adhering to the structure of traumatic experience.
The author directs attention to the content remembered by the material in which she works. What is visible in “Numbness” and “Drift” is an imprint, a trace of the process to which the body is subject to. The substances and materials used after hardening and sticking to the facial skin become the carrier of tension generated at the interface of experience and memory.
In the series “Postbeauty” she creates spatial forms, using used facial masks. She is forced to perform a masking ritual on the face and repeats the process so long until it becomes harmful to the skin. The waste of the beautification process unexpectedly becomes an attractive sculptural form in itself.