Meeting on stage, the musicians discovered a symbiotic musical connection, skilfully moving between complex rhythmic and thrilling layers, sweet melodies and subtle spaces containing overtones extracted from individual instruments. The group harmonizes with each other, allowing each of them to shine in their solo parts. The trio emphasizes this non-hierarchical band dynamic, giving each musician space to initiate new musical ideas.

Marcelo Von Schultz (Buenos Aires, Argentina) – musician, percussionist and teacher. He comes from the jazz and creative music scene west of Buenos Aires (Derviche, Doña María, Antü). For several years he has devoted himself to the exploration and development of improvised music and free jazz. He recorded two albums with Catriel Nievas, Dùo (2014) and Tùneles (2016), both released by the French label Adaptador Records, and Mokita (with Cecilia Quinteros, Christoph Gallio and Alex Elgier) edited by the Portuguese label Creative Sources. Currently, he collaborates with, among others, Derviche (with Luciano Peralta and Leopoldo Janín), Motor (with Sofía Salvo and Gustavo Obligado), Haiti (with Cecilia Quinteros and Sergio Merce) and Hernán Samá (dúo). He also teaches Afro-Latin percussion in the percussion class at Luján Art School José Ferrari (Province of Buenos Aires).

Pablo Vazquez (Buenos Aires, Argentina) – double bassist, experimental musician. He has performed and travelled throughout South America and Europe(Germany, Portugal, Poland, the Netherlands, Hungary, Slovakia, etc.) playing with Vasco Trilla, Eli Wallace, Diego Caicedo, El Pricto, Albert Cirera, Ricardo Tejero, Amanda Irarrazabal, Hui Chun Lin, John Hughes, Yedo Gibson, Luis Vicente, Gustavo Obligado, Miguel Mira, Jorge Torrecillas Ensemble, Ligia Liberatori, Marcelo Von Schultz and many others. His music has been released by Discordian Records (Barcelona) and Creative Sources (Lisboa).

Eli Wallace (Brooklyn, New York, United States) is a pianist, improviser and composer with his own projects, collaborating with other like-minded artists. Co-curator of the interdisciplinary performance series Invocation. His piano work reflects a broad background of experience in classical music, jazz and free improvisation, including sophisticated piano preparations that, according to John Lewis (The Guardian), “… push the boundaries of the prepared piano.” His compositions use notation strategies to expand the way musicians produce sound and the ways they interact. Over the past decade, he
has released dozens of albums and performed at esteemed venues such as The Stone, New York, NY, Roulette, Brooklyn, NY, Mizzou International Composers Festival, Columbia, MI, and Experimental Sound Studio, Chicago, IL.