Udostępnij:
The Third Ear Music series returns with its eighteenth edition dedicated to contemporary improvised music. For over a decade, the project has been creating a space for artistic encounters rooted in dialogue, spontaneity, and the free exchange of musical ideas. Each concert features a unique configuration of creative personalities whose shared language is improvisation.
That evening, the audience will experience two premiere sets prepared especially for this occasion. The stage will bring together artists from Argentina, Mexico, and Poland—acclaimed improvisers who have been actively shaping the European and global experimental, jazz, and free improvised music scenes for years.
The first set will be performed by Argentine drummer Marcos Baggiani, Warsaw-based guitarist and sound experimenter Piotr Bukowski, and Lublin-based tenor saxophonist Tomasz Piątek. The meeting of these three musicians promises a multidimensional narrative based on sonorism, free interaction, and open form. Baggiani’s experience within the Amsterdam improvised music scene will collide with Piątek’s uncompromising approach rooted in the spirit of real-time composition, and Bukowski’s experimental aesthetic balancing on the edge of avant-garde and electronics.
The second set will feature a dialogue between Mexican sound artist, percussionist, and vibraphonist Emilio Gordoa, highly acclaimed Warsaw clarinetist Paweł Szamburski, and Wrocław saxophonist Władysław Kosendiak, who will play the bass saxophone in this unique line-up. This is a gathering of distinct artistic personalities whose work spans contemporary music, avant-garde, electronics, and innovative approaches to sonic traditions. Gordoa’s Berlin experiences from the Echtzeitmusik circle and his sonic explorations involving live electronics will engage in a deep, unpredictable dialogue with Szamburski’s mystical style that weaves improvisation with early music, all underpinned by the deep, rarely heard resonance of Kosendiak’s bass saxophone.
Line-up:
Set 1
• Marcos Baggiani (Argentina) – drums
• Piotr Bukowski (Poland) – guitar, electronics
• Tomasz Piątek (Poland) – tenor sax
Set 2
• Emilio Gordoa (Mexico) – drums, vibraphone
• Paweł Szamburski (Poland) – clarinet
• Władysław Kosendiak (Poland) – bass sax
Artists:
Marcos Baggiani – a Buenos Aires-born, Amsterdam-based drummer, composer, producer, and educator. A graduate of the Conservatory of Amsterdam (MA in Jazz), he has long been a vital force in the Dutch improvised music scene. He has twice been selected to represent Dutch arts in prestigious international projects: “Jazz Plays Europe” and “Take 5 Europe”. As an artistic leader of the Trytone collective/label and co-creator of “The Meeting Point” laboratory (now Bimhuis’s “Monday Match”), he has deeply shaped the contemporary creative scene.
http://www.marcosbaggiani.com/
Piotr Bukowski – a Polish guitarist and composer of theatre and film music, deeply rooted in the legendary independent collectives Lado ABC and Milieu L’Acephale. He is a highly versatile artist, founder, and collaborator in several defining projects of the Polish alternative scene, including Xenony, Hokei, Javva, and the duo Opla (with Hubert Zemler). Alongside Jakub Ziółek, he also co-creates the interdisciplinary project Tutaj. Spanning over two decades, his rich discography features acclaimed releases on prominent indie labels (such as Lado ABC, Antena Krzyku, and Instant Classic), seamlessly blending avant-garde, alternative rock, electronics, and a modern approach to traditional music.
https://piotrbukowski.bandcamp.com/
Tomasz Piątek – a Polish tenor saxophonist and improviser, and a vital figure in the alternative and experimental music scene of Lublin. Since 2012, he has been a core member of the avant-garde quartet Tatvamasi, with whom he has recorded a series of critically acclaimed albums that masterfully fuse jazz improvisation, psychedelic rock, and space-rock progression. Renowned for his uncompromising sonic approach and deep devotion to real-time composition, he frequently performs outside his main band, engaging in interdisciplinary, improvised projects alongside prominent Polish and international independent artists.
https://tatvamasi.bandcamp.com/
Emilio Gordoa – is a Mexican sound artist, percussionist, curator, and composer whose work focuses on sound and performance as primary means of expression. Based in Berlin since 2012, he has been an active contributor to the city’s “Echtzeitmusik” (real-time music) scene and is involved in the international avant-garde music community. His projects include solo and ensemble performances, sound installations, and compositions for film, theater, and dance. He has collaborated with a wide range of artists, including Jérôme Noetinger, Ingrid Schomliner, Yuko Kaseki, Burkhard Beins, Don Malfon, John Butcher, Mariá Portugal, and Sabiene Vogel.
https://www.emiliogordoa.com/
Paweł Szamburski – a Polish clarinetist, composer, cultural animator, and music publisher, who stands as a pivotal figure in the country’s alternative and improvised music scenes. He studied anthropology and musicology at the University of Warsaw and co-founded the legendary independent label Lado ABC alongside Macio Moretti in 2004. Utilizing the clarinet, voice, and electronics, Szamburski seamlessly blends improvisation with early and traditional music. He is the driving force and collaborator behind highly acclaimed ensembles such as Bastarda, Sza/Za, Cukunft, Tupika, and Horny Trees.
https://culture.pl/en/artist/pawel-szamburski
Władysław Kosendiak – a Polish saxophonist and music educator. He graduated from the Karol Lipiński Academy of Music in Wrocław under the tutelage of Prof. Mieczysław Stachura. He is a vital contributor to the musical landscape of Lower Silesia, collaborating with prestigious institutions such as the Witold Lutosławski National Forum of Music, the Wrocław Opera, and the Sudeten Philharmonic in Wałbrzych. As a soloist and chamber musician, he has performed at renowned festivals, including Warsaw Autumn, Wratislavia Cantans, and Forum Musicum. He is also the founder and leader of the Saxarte Quartet and teaches at music schools in Wrocław and Wałbrzych.
Organiser: Grzegorz Lesiak, L.A.S. Listening and Sounding Foundation.
Partners: Centre for Culture in Lublin, Lublin Jazz.
Media Partners: Jazz Forum, JazzKultura, JazzPress, Radio Lublin, Radio Centrum, Radio Free, Dziennik Wschodni.
The project is co-financed by the Ministry of Culture and National Heritage under the Music Programme, implemented by the National Institute of Music and Dance.
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