Rebecca Solnit writes in “The Mother of All Questions”: the history of silence is the key to women's history. "MISSPIECE" is a personal process of finding one's own voice and one's place in the world of defined social roles, binary divisions, created by male masterpieces. An attempt to unseat the canon and find herstory in it. Discovering the emancipatory potential in house music – a space for the manifestation of the female voice and in the body – which is in constant motion, creating and transforming. In "MISSPIECE" the body is both a shelter for a silenced voice and a source of its extraction.

Dominika Wiak – dancer, performer, choreographer. Graduate of the Dance Theater Department in Bytom, PWST in Krakow. Her recent productions include solo MISSPIECE, STICKY FINGERS CLUB created collectively with Monika Witkowska, Daniela Komędera-Miśkiewicz and Dominik Więcek, and MANHATTAN co-created with Daniela Komędera-Miśkiewicz. She cooperated with, among others: the National Stary Theatre in Krakow, the Juliusz Słowacki Theatre in Krakow, the Silesian Theatre in Katowice, the ROZBARK Theatere. She participated in performances by: Monika Strzępka and Paweł Demirski (choreographer Dominika Knapik), Jakub Lewandowski, Eryk Makohon, Sylwia Hefczyńska-Lewandowska, Maciej Kuźmiński, Radosław Rychcik, Magdalena Piekorz, Quan Bui Ngoc. She performed in: Sweden, China, Italy, Ukraine, Georgia, the Netherlands and Austria. She participated twice in a dance research project in China. She is a two-time scholarship holder of the Ministry of Culture and National Heritage, and the Mayor of Krakow. Currently, she collaborates with the Krakow Choreographic Center.